It's easy to say in hindsight that the investigation focused too heavily on Jewell, Alexander said. Jewell had made clear his dream of working in law enforcement and was endlessly mocked as an overzealous but bumbling wannabe cop. The paper published that information three days after the explosion and scores of reporters descended on the apartment complex where Jewell lived with his mother, leaving them feeling as if they were under siege for months. In the frantic days after the bombing, Scruggs confirmed with law enforcement sources that the FBI was focusing on Jewell. attorney in Atlanta when the bombing happened and Kevin Salwen led The Wall Street Journal's southeastern section. Its authors were in the thick of it: Kent Alexander was the U.S. Jury decides document found in Aretha Franklin's couch is a valid willĪ new book, “The Suspect,” attempts to bring clarity to the aftermath of the bombing. But he grappled with the fallout for the rest of his life, and Atlanta lived with the fear and unease of a bomber still at large. The park reopened within days, the games continued and Jewell was publicly cleared three months later. Jewell, who likely helped prevent many more casualties, was initially hailed as a hero but a few days later was reported to be the focus of the FBI investigation, and the public quickly turned on him. A Turkish television cameraman died after suffering a heart attack while running to film the explosion's aftermath. The explosion about 20 minutes later killed 44-year-old Alice Hawthorne of Albany, Georgia, and injured 111 people, some of them seriously. and helped clear the area as federal agents determined it contained a bomb. Jewell's saga began on July 27, 1996, when he spotted an abandoned backpack during a concert in Centennial Olympic Park shortly before 1 a.m. In an interview with The Associated Press, director Clint Eastwood dismissed the criticism of his movie, which is based on a 1997 Vanity Fair article by Marie Brenner, by saying the paper likely is looking to “rationalize" its actions. Kevin Riley, the current editor of The Atlanta Journal-Constitution, is disputing the film's depiction of the newspaper's reporting and decision-making processes, especially the portrayal of reporter Kathy Scruggs, who the movie implies traded sex with an FBI agent for a tip on the story. Now the movie is drawing its own share of criticism. More than 20 years later, a movie to be released later this week, “Richard Jewell,” explores the roles played by law enforcement and the media in the guard's ordeal. In an interview with Variety, Atlanta Journal-Constitution editor Kevin Riley said his staff was particularly upset about the way Scruggs has been portrayed.After a bomb exploded in a downtown Atlanta park midway through the 1996 Olympics, a security guard initially cast as a hero was transformed into a villain virtually overnight. It also defends its reporting on the investigation into Jewell, denying it rushed to get the story out and arguing it delayed publication until it could get additional corroboration. In a letter to the studio and the filmmakers, it says the movie is playing fast and loose with the facts and ignores the paper’s role in reporting on holes in the case against Jewell. The Atlanta Journal-Constitution has hired Martin Singer to represent it and hinted at possible legal action. Dialogue and certain events and characters contained in the film were created for the purposes of dramatization.” did note that the film already contains a disclaimer at the end that reads, “The film is based on actual historical events. Scruggs co-bylined the original article that revealed Jewell was under suspicion. Friends and colleagues of Scruggs, who died in 2001 at the age of 42, have disputed the characterization of the reporter. The statement, however, does not directly address the paper’s objections to Eastwood’s depiction of late journalist Kathy Scruggs, who the film implies slept with an FBI agent involved with the case.
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